Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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Sandro Botticelli Fra Angelico,Ordination of St Lawrence oil painting


Fra Angelico,Ordination of St Lawrence
1448 Vatican city,Palazzi Vaticani,Cappella Niccolina. (mk57)
Painting ID::  26895
Sandro Botticelli
Fra Angelico,Ordination of St Lawrence
1448 Vatican city,Palazzi Vaticani,Cappella Niccolina. (mk57)
   
   
     

Sandro Botticelli Pietro Perugino,Consigning the Keys oil painting


Pietro Perugino,Consigning the Keys
1482 vatican city,Sitine chapel (mk57)
Painting ID::  26896
Sandro Botticelli
Pietro Perugino,Consigning the Keys
1482 vatican city,Sitine chapel (mk57)
   
   
     

Sandro Botticelli Cosimo Rosselli and Assistants,Moses receiving the Tablets of the Law and Worship of the Golden Calf oil painting


Cosimo Rosselli and Assistants,Moses receiving the Tablets of the Law and Worship of the Golden Calf
1481 Vatican city,sistine chapel. (mk57)
Painting ID::  26897
Sandro Botticelli
Cosimo Rosselli and Assistants,Moses receiving the Tablets of the Law and Worship of the Golden Calf
1481 Vatican city,sistine chapel. (mk57)
   
   
     

Sandro Botticelli Trials of Moses oil painting


Trials of Moses
1481--1482 detail of the daughters of Jethro vatican city,sistine chapel (mk57)
Painting ID::  26898
Sandro Botticelli
Trials of Moses
1481--1482 detail of the daughters of Jethro vatican city,sistine chapel (mk57)
   
   
     

Sandro Botticelli Trials of Moses oil painting


Trials of Moses
1481-1482 Vatican city,sistine chapel (mk57)
Painting ID::  26899
Sandro Botticelli
Trials of Moses
1481-1482 Vatican city,sistine chapel (mk57)
   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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